Friday, 19 December 2008
Monday, 15 December 2008
Twilight Mania!
Watch one of the key scenes in the film:
Twilight's Soundtrack also ruled the charts, and it has already sold more than 160, 000 copies since its release on November 4th. This is one of the songs included in the CD: Decode, by Paramore.
Wednesday, 10 December 2008
Universal Declaration of Human Rights - 60th Anniversary
The Universal Declaration of Human Rights (UDHR) was adopted by the United Nations General Assembly on 10th December 1948 at Palais de Chaillot, Paris. The Declaration arose directly from the experience of the Second World War and consists of 30 articles that represent the first global expression of rights to which all human beings are inherently entitled. Read the whole text here.
Friday, 28 November 2008
Women in Art
Wednesday, 12 November 2008
Greatest Movie Lines: Blade Runner
From the film Blade Runner,one of the most emblematic science fiction movies of all time, based on the novel Do Androids Dream Of Electric Sheep? by Philip K. Dick, directed by Ridley Scott, with a soundtrack composed by Vangelis.
Friday, 31 October 2008
Happy Halloween!
NARRATOR: 'Twas a long time ago, longer now than it seems, in a place that perhaps you've seen in your dreams. For the story that you are about to be told, took place in the holiday worlds of old. Now, you've probably wondered where holidays come from. If you haven't, I'd say it's time you begun.
This Is Halloween
SHADOW: Boys and girls of every age
Wouldn't you like to see something strange?
SIAMESE SHADOW: Come with us and you will see
This, our town of Halloween
PUMPKIN PATCH CHORUS: This is Halloween, this is Halloween
Pumpkins scream in the dead of night
GHOSTS: This is Halloween, everybody make a scene
Trick or treat till the neighbors gonna die of fright
It's our town, everybody scream
In this town of Halloween
CREATURE UNDER BED: I am the one hiding under your bed
Teeth ground sharp and eyes glowing red
MAN UNDER THE STAIRS: I am the one hiding under your stairs
Fingers like snakes and spiders in my hair
CORPSE CHORUS: This is Halloween, this is Halloween
Halloween! Halloween! Halloween! Halloween!
VAMPIRES: In this town we call home
Everyone hail to the pumpkin song
MAYOR: In this town, don't we love it now?
Everybody's waiting for the next surprise
CORPSE CHORUS: Round that corner, man hiding in the trash can
Something's waiting now to pounce, and how you'll scream
HARLEQUIN DEMON, WEREWOLF, AND MELTING MAN: Scream! This is Halloween
Red 'n' black, slimy green
WEREWOLF: Aren't you scared?
WITCHES: Well, that's just fine
Say it once, say it twice
Take the chance and roll the dice
Ride with the moon in the dead of night
HANGING TREE: Everybody scream, everybody scream
HANGED MEN: In our town of Halloween
CLOWN: I am the clown with the tear-away face
Here in a flash and gone without a trace
SECOND GHOUL: I am the "who" when you call, "Who's there?"
I am the wind blowing through your hair
OOGIE BOOGIE SHADOW: I am the shadow on the moon at night
Filling your dreams to the brim with fright
CORPSE CHORUS: This is Halloween, this is Halloween
Halloween! Halloween! Halloween! Halloween!
CHILD CORPSE TRIO: Tender lumplings everywhere
Life's no fun without a good scare
PARENT CORPSES: That's our job, but we're not mean
In our town of Halloween
CORPSE CHORUS: In this town
MAYOR: Don't we love it now?
MAYOR WITH CORPSE CHORUS: Everyone's waiting for the next surprise
CORPSE CHORUS: Skeleton Jack might catch you in the back
And scream like a banshee
Make you jump out of your skin
This is Halloween, everybody scream
Won't ya please make way for a very special guy
Our man Jack is king of the pumpkin patch
Everyone hail to the Pumpkin King now
EVERYONE: This is Halloween, this is Halloween
Halloween! Halloween! Halloween! Halloween!
CORPSE CHILD TRIO: In this town we call home
Everyone hail to the pumpkin song
EVERYONE: La la-la la, Halloween! Halloween!
From Tim Burton's The Nightmare Before Christmas
Thursday, 16 October 2008
NASA's 50th Anniversary
NASA also celebrates the 40th anniversary of the Apollo Program with a tribute to the Apollo missions.
You can play fun games and learn about space at NASA Kids’ Club and find more educational videos and activities here and here.
Friday, 3 October 2008
A Tribute to Paul Newman (1925-2008)
Hollywood legend Paul Newman died last week at his home in Connecticut at the age of 83, after a long battle with cancer. Actor, director and producer, he starred in more than fifty films during an extraordinary career that spanned five decades.
Watch a look back on Newman's career:
More information on his life and career here and here.
These are some of Paul Newman's greatest movie moments:
Butch Cassidy and The Sundance Kid (1969)
The Sting (1973)
The Color of Money (1986)
Visit "Newman's Own Inventory: 10 unmissable Paul Newman films", by The A.V. Club for more scenes and reviews of his best films.
Wednesday, 24 September 2008
Thursday, 22 May 2008
Music: Duffy
Warwick Avenue
When I get to Warwick Avenue
Meet me by the entrance of the tube
We can talk things over a little time
Promise me you won't stand by the light
When I get to Warwick Avenue
Please drop the past and be true
Don't think we're okay just because I'm here
You hurt me bad but I won't shed a tear
I'm leaving you for the last time, baby
You think you're loving but you don't love me
I've been confused out of my mind lately
You think you're loving but I want to be free
Baby, you've hurt me
When I get to Warwick Avenue
We'll spend an hour but no more than two
Our only chance to speak once more
I showed you the answers, now here's the door
When I get to Warwick Avenue
I'll tell you baby that we're through
I'm leaving you for the last time, baby
You think you're loving but you don't love me
I've been confused out of my mind lately
You think you're loving but you don't love me
I want to be free
Baby, you've hurt me
All the days spent together
I wish for better
But I didn't want the train to come
Now it's departed
I'm broken hearted
Seems like we never started
All those days spent together
When I wished for better
And I didn't want the train to come
You think you're loving but you don't love me
I want to be free
Baby, you've hurt me
You don't love me
I want to be free
Baby, you've hurt me
Mercy
Yeah Yeah Yeah (x4)
I love you
But I gotta stay true
My morals got me on my knees
I'm begging please stop playing games
I don't know what this is
'Cause you got me good
Just like you knew you would
I don't know what you do
But you do it well
I'm under your spell
You got me begging you for mercy
Why won't you release me
You got me begging you for mercy
why won't you release me
I said release me
Now you think that I
Will be something on the side
But you got to understand
That I need a man
Who can take my hand yes I do
I don't know what this is
But you got me good
Just like you knew you would
I don't know what you do
But you do it well
I'm under your spell
You got me begging you for mercy
Why won't you release me
You got me begging you for mercy
Why won't you release me
I said you'd better release yeah yeah
I'm begging you for mercy
Yes why won't you release me
I'm begging you for mercy
You got me begging
You got me begging
You got me begging
Mercy, why won't you release me
I'm begging you for mercy
Why won't you release me yeah yeah
You got me begging you for mercy
I'm begging you for mercy
I'm begging you for mercy
I'm begging you for mercy
I'm begging you for mercy
Why won't you release me yeah yeah
Break it down
Begging you for mercy
You got me begging
Begging you for mercy
You got me begging
Sunday, 11 May 2008
Greatest Film Scenes: "Casablanca"
The classic and much-loved Casablanca, a 1942 Warner Brothers film directed by Michael Curtiz, won three Academy Awards - including Best Picture - and it is considered one of the best films ever made. With a wartime romantic story focused on lost love, honour and self-sacrifice, a superb musical score and unforgettable characters, the film has some of the most memorable lines of dialogue and scenes of all time.
Rick: Louis, have your man go with Mr Laszlo and take care of his luggage.
Renault: Certainly, Rick. Anything you say ... Find Mr Laszlo's luggage and put it on the plane.
Orderly: Yes, sir. This way, please.
Rick: If you don't mind, you fill in the names. That will make it even more official.
Renault: You think of everything, don't you?
Rick: And the names are Mr and Mrs Victor Laszlo.
Ilsa: But, why my name, Richard?
Rick: Because you're getting on that plane.
Ilsa: I don't understand. What about you?
Rick: I'm staying here with him 'til the plane gets safely away.
Ilsa: No, Richard. No. What has happened to you? Last night we said ...
Rick: Last night we said a great many things. You said I was to do the thinking for both of us. Well, I've done a lot of it since then, and it all adds up to one thing: you're getting on that plane with Victor where you belong.
Ilsa: But, Richard, no, I... I...
Rick: Now, you've got to listen to me! You have any idea what you'd have to look forward to if you stayed here? Nine chances out of ten, we'd both wind up in a concentration camp. Isn't that true, Louis?
Renault: I'm afraid Major Strasser would insist.
Ilsa: You're saying this only to make me go.
Rick: I'm saying it because it's true. Inside of us, we both know you belong with Victor. You're part of his work, the thing that keeps him going. If that plane leaves the ground and you're not with him, you'll regret it. Maybe not today. Maybe not tomorrow, but soon and for the rest of your life.
Ilsa: But what about us?
Rick: We'll always have Paris. We didn't have, we, we'd lost it until you came to Casablanca. We got it back last night.
Ilsa: When I said I would never leave you.
Rick: And you never will. But I've got a job to do, too. Where I'm going, you can't follow. What I've got to do, you can't be any part of. Ilsa, I'm no good at being noble, but it doesn't take much to see that the problems of three little people don't amount to a hill of beans in this crazy world. Someday you'll understand that. Now, now... Here's looking at you kid.
Renault: It might be a good idea for you to disappear from Casablanca for a while. There's a Free French garrison over at Brazzaville. I could be induced to arrange a passage.
Rick: My letter of transit? I could use a trip. But it doesn't make any difference about our bet. You still owe me ten thousand francs.
Renault: And that ten thousand francs should pay our expenses.
Rick: Our expenses?... Louis, I think this is the beginning of a beautiful friendship.
One of the lines most closely associated with the film—"Play it again, Sam"—is, however, a misquotation.
Ilsa: Play it once, Sam, for old times' sake.
Sam: I don't know what you mean, Miss Ilsa.
Ilsa: Play it, Sam. Play 'As Time Goes By.'
Sam: Why, I can't remember it, Miss Ilsa. I'm a little rusty on it.
Ilsa: I'll hum it for you ... Sing it, Sam.
You must remember this
A kiss is just a kiss
A sigh is just a sigh
The fundamental things apply
As Time Goes By
And when two lovers woo
They still say 'I love you'
On that you can rely
No matter what the future brings
As Time Goes By
Rick: Sam, I thought I told you never to play...
Friday, 9 May 2008
Students' Corner: In fifty years' time...
Tero (1º Bachillerato)
Thursday, 8 May 2008
Music: Tracy Chapman "Baby Can I hold you tonight"
Is all that you can't say
Years gone by and still
Words don't come easily
Like sorry like sorry
Forgive me
Is all that you can't say
Years gone by and still
Words don't come easily
Like forgive me forgive me
But you can say baby
Baby can I hold you tonight
Maybe if I told you the right words
At the right time you'd be mine
I love you
Is all that you can't say
Years gone by and still
Words don't come easily
Like I love you I love you
Saturday, 3 May 2008
Human Rights: Amnesty International - Get Involved
These great Amnesty International's advertising campaigns have won several awards, including a Gold Lion (for "Signature") and a Silver Lion (for "Bullet") at 2007 Cannes International Advertising Festival.
More AI's advertising campaigns here and here.
Some information about Amnesty International's actions since they started campaigning for human rights in 1961:
John Hurt makes an appeal for action:
Transcript: For nearly half a century now I have made my living as an actor. In this role, I have participated in the telling of many stories. They were set in many different cultures and involved people from all races, religions and political beliefs. But today, I want to tell you some different stories; stories that contain some bleak and unacceptable statistics -- facts that affect us all in the world we live in. One in three women are beaten, coerced into sex or otherwise abused throughout the world. Look around you. One in three women.... Every year, eight million small arms and 16 billion units of ammunition are produced, more than two new bullets for every human on the planet, enough to kill us all twice over. 20,000 people worldwide are on Death Row. Beheading, electrocution, hanging, lethal injection, shooting and stoning are still government-sanctioned forms of execution. And we claim to be civilised. Torture is commonplace. Refugees suffer unnecessarily. Companies sacrifice human health and even life for profit. But this isn't a movie script. These stories are real. This is the world in which we live and these are the lives of our fellow human beings. But we don't have to accept it. Amnesty International is a movement of ordinary people from across the world. We stand up for humanity and human rights wherever truth, justice and freedom is denied. Human rights are ours by birth. They cannot be given or taken away by any individual, organisation or court. They are inalienable. They belong to all of us. Protect the Human is our call to action. It shows we celebrate our shared humanity and have the determination to protect it. This is our story and we're all players. By the year 2010, we want one million people in the UK to stand up for humanity and human rights. Be one of them.
Wednesday, 30 April 2008
Monday, 28 April 2008
Thursday, 24 April 2008
Students' Corner: Are you influenced by advertising?
Paloma Prados Ruiz (1º Bach.)
Wednesday, 23 April 2008
Culture: Book Day
Sonnet 18, by William Shakespeare (1564 – 1616)
Shall I compare thee to a summer's day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer's lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm'd;
And every fair from fair sometime declines,
By chance, or nature's changing course, untrimm'd;
But thy eternal summer shall not fade,
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander'st in his shade,
When in eternal lines to time thou growest;
So long as men can breathe, or eyes can see,
So long lives this, and this gives life to thee.
Sonnet 30, by Edmund Spenser (1552 – 1599)
My love is like to ice, and I to fire:
How comes it then that this her cold so great
Is not dissolved through my so hot desire,
But harder grows the more I her entreat?
Or how comes it that my exceeding heat
Is not allayed by her heart-frozen cold,
But that I burn much more in boiling sweat,
And feel my flames augmented manifold?
What more miraculous thing may be told,
That fire, which all things melts, should harden ice,
And ice, which is congealed with senseless cold,
Should kindle fire by wonderful device?
Such is the power of love in gentile mind,
That it can alter all the course of kind.
How Do I Love Thee?, by Elizabeth Barrett Browning (1806–1861)
How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of everyday’s
Most quiet need, by sun and candle-light.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love thee with the passion put to use
In my old griefs, and with my childhood’s faith.
I love thee with a love I seemed to lose
With my lost saints,—I love thee with the breath,
Smiles, tears, of all my life!—and, if God choose,
I shall but love thee better after death.
Tuesday, 22 April 2008
Environment: Earth Day
Earth Day marks the anniversary of the birth of the modern environmental movement in 1970. Since that first Earth Day in 1970, people around the world have created their own ways to celebrate Earth and to renew their commitment to saving our living planet. More information about the history of Earth Day here.
Earth Day is a moment for us to think about our way of life and an opportunity to do something to protect the future of nature.
Earthday Network - Events, campaigns, programmes, fact sheets, tips and activities.
Environmental Kids Club - Activities to help you explore your environment and learn how to protect it.
National Geographic's Green Guide - Tips to help the planet.
The Nature Conservancy - More eco-tips and activities
World Environmental Organization - A guide to the best environmental web sites.
The EnviroLink Network - Lots of environmental resources.
Global Warming and Water Planet, two short films by Leonardo Dicaprio:
More videos on Earth Day Television.
Sunday, 20 April 2008
Music: Linkin Park
Linkin Park has presented Projekt Revolution 2008, the band's new tour, which features former Soundgarden/Audioslave frontman Chris Cornell, The Bravery, Ashes Divide, Atreyu, 10 Years, Hawthorne Heights, Armor For Sleep, and Street Drum Corps.
Since their formation in 1996, the band has sold more than fifty million albums and won two Grammy Awards. These are two of their most popular songs:
What I've Done (Minutes to Midnight, 2007)
Crawling (Hybrid Theory , 2000)
Saturday, 19 April 2008
Sports: 2008 NBA Playoffs
All the information about 2008 Playoffs on NBA's Home Page.
Full schedule here.
These were the best moments of last year's Playoffs:
Monday, 14 April 2008
Education: Spectacular Physics
These are some of Professor Lewin's greatest moments:
Monday, 7 April 2008
Photography: Vanity Fair
(Gloria Swanson by Edward Steichen, 1924)
Vanity Fair magazine has an impressive photographic collection. The National Portrait Gallery exhibition includes vintage and modern prints and celebrates the masters of this great art form, from Edward Steichen, Man Ray, Helmut Newton and Cecil Beaton to Annie Leibovitz and Mario Testino.
Vanity Fair's first period, from 1913 to 1936, is represented with portraits of personalities such as Albert Einstein, Charles Chaplin, Pablo Picasso, Fred Astaire, Louis Armstrong, Cary Grant and Katharine Hepburn.
Vanity Fair suspended publication in 1936. The second period, from the resurrection of the magazine in 1983 up to the present day, includes film and theatre stars as well as writers, athletes, style icons, and business titans, with portraits of Robert De Niro, Arthur Miller, Demi Moore and Margaret Thatcher amongst many others.
Sunday, 6 April 2008
Animation: Typography
More examples of animation projects using typography:
A music video for Art Brut's song Emily Kane.
A project on The Beatles' song Eleanor Rigby.
Finally a project using motion graphics called Conscious (music by Depeche Mode).
Sunday, 16 March 2008
Art: John Everett Millais (1829-1896)
John Everett Millais - Exhibition at The Van Gogh Museum (Amsterdam)
15 February 2008 - 18 May 2008
Poetry Trail
Visitors to the exhibition John Everett Millais can follow a Poetry Trail with texts and poems by Shakespeare, Keats, Donne, Patmore and Tennyson. It focuses on six paintings with strong poetic or literary connections.
Wednesday, 5 March 2008
Friday, 29 February 2008
Tuesday, 26 February 2008
Cinema: Indy's Back in Action!
Monday, 18 February 2008
Grammar
Grammar Lesson 10 Verbals
From: gerryhill, 2 months ago
A review lesson on participles, infinitives, and gerunds.
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